By Alanna E. Cooper
ERIE, Pa. — There was some debate about putting the old synagogue up for sale and moving to a new, smaller building, but not much.
In 2012, a major pipe burst at Temple Anshe Hesed, and the cost of repairing the nearly century-old building convinced the small congregation that it was time to move.
But. how do you pack a congregation’s history and its hundreds of objects into a building one-third the size of the old one?
On Aug. 31, members of the Reform temple here gathered in their building one last time. At an event advertised as a “de-consecration,” some 60 men and women, along with a few children, joined under the sanctuary’s dramatic dome to say goodbye to the congregation’s spiritual home since 1929.
During the service led by Rabbi Susan Stone, the group sang together, paused for a few moments to remember Anshe Hesed members who have passed and to recite a poem, “We recall at this time those joyous events we celebrated within these walls . . .”
The serious atmosphere was mixed with a celebratory tone as members removed the five Torah scrolls from the ark and carried them out of the building, embarking on a fresh chapter in their congregation’s history. Boarding two old-fashioned trolley buses rented for the occasion, the group traveled together to its new home located five miles east on Old Zuck Road in Millcreek Township.
Like other Rust Belt cities, Erie’s population has been on a steady decline for decades. It peaked in 1960 with 138,440 residents, and today numbers just under 100,000.
The city’s Jewish population has followed the pattern. Erie was once home to 3,000 Jews and three synagogues. By 2007 the Jewish population there had decreased to 700; by 2013 it was at 480.
Ohel Jacob, the Orthodox synagogue is long gone, having shut its doors in the 1970s. The Conservative synagogue, Brith Sholom, is still in operation, although the congregation sold its building in 2013 and meets in the sanctuary rented back from the new owners.
Anshe Hesed still has enough members to sustain weekly and holiday services, and a bequest to pay for the new building. Lisa Chinsky, a former temple president who became Bat Mitzvah in the building and was married there, likened the move to becoming an empty-nester. “The children have moved out and now their rooms are empty.”
The cost and hardship of maintaining the large building had become unwieldy for the aging Anshe Hesed congregation. In addition, the neighborhood changed. Congregants explained their feeling of unease in the area, pointing to hypodermic needles around the building.
Still the decision to move was not simple. A few members objected, some threatening to leave. One anonymous individual sent a letter to the entire membership, describing the building as “alive with the breath of a living congregation.”
The writer explained, “When I touch the walls I can feel it breathe,” and now “I can also feel that breath being taken away.” Rather than celebrating the new building, the letter called for mourning the loss of the old one.
Even the less sentimental, who insist that the life of the congregation is “about the people” rather than the building, understood the challenge of what to do with objects accumulated over nearly a century.
The objects include large ritual items such as the ark, a Holocaust memorial display and the stained-glass windows — not to mention books, paintings, tapestries, sculptures, memorabilia and over 30 Chanukah menorahs.
In preparation for the move, a Judaica Committee and an Arts and Archives Committee were formed to make decisions about what to keep, what to sell or give away, and what to discard. The group agreed that the new synagogue should include an archive room to house objects from the congregation’s past. Every dedicatory plaque will be moved into the room, as stipulated by one major donor.
Heavy wooden carved doors — which graced the front of the building the congregation occupied before it moved in 1929, and which were displayed on a wall of the social hall in the 1929 building — will be mounted in the archive room. The bulky bronze ark, which does not fit the aesthetic of the new space, will be reconfigured as a sculpture that will sit in the outdoor patio area.
The most difficult dilemma involved the 12 stained-glass windows situated around the drum of the dome, and the tripartite arched window above the balcony at the back of the sanctuary. Their vibrant colors and ephemeral quality served as a defining feature of the building’s grand prayer space, which seats 350.
Moving them would be costly and complicated. Some members devised this solution: Only the middle panel of each window was taken out and patched up with a clear window, leaving behind the lower stained-glass panel and the arched one at the top.
All 12 middle panels were refurbished, and each one placed into a wood case that is backlit with electric bulbs, allowing the colors to glow even at night. Together, the 12 of them represents Anshe Hesed’s enduring connection to its past.
The window at the back of the sanctuary was fully removed. Artist Bonnie Cohen will crush the glass and recycle the pieces, using them to create a colorful custom-made ark for the new sanctuary, which seats 70. Cohen devised this solution when working with the Conservative synagogue Beth El in Akron, Ohio, which went through a similar process of downsizing and moving in 2012.
Anshe Hesed congregants also took with them the cornerstone of their 1929 building. When it was removed as part of the de-consecration ceremony, an old iron box was found tucked inside. After a religious service in the new sanctuary, people gathered around to open the box. The documents inside included letters of congratulations on the congregation’s new building, as well as a list of donors who supported its construction.
Alanna E. Cooper is director of Jewish Lifelong Learning at Case Western Reserve University and an adjunct assistant professor in its Dept. of Anthropology.