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Pope and head of Yad Vashem meet

ROME — Amid controversies concerning the Vatican’s Holocaust-era record, Pope Francis and the head of Israel’s state museum on the Holocaust, Yad Vashem, met for a first-of-its-kind talk.

Yad Vashem chairman Dani Dayan presents Pope Francis with a painting, June 9, 2022. (Vatican Media)

Yad Vashem Director Dani Dayan met with the pope on June 9 at his office in the Vatican.

During their 30-minute talk, they spoke about ways to “bolster collaborative activities” in areas of “Holocaust remembrance, education and documentation, and to discuss efforts to fight anti-Semitism and racism worldwide,” Dayan’s office wrote in a statement.

Dayan thanked the pope for his 2020 decision to open the Vatican’s archives related to the wartime Pope Pius XII, whose critics say did too little to intervene on behalf of the six million Jews that the Nazis murdered in the Holocaust.

But they did not discuss the Holocaust-related controversies that for years have been straining Jewish-Catholic relations. Instead, Dayan focused on areas of consensus and on strengthening ties with the Vatican, he said.

• One of these controversies is the beatification of Pius XII.

• Another concerns other archives that Holocaust researchers say are still inaccessible to them.

• Still another is centered on the debate on whether the Vatican should acknowledge and provide more details about what Pius XII did during the Holocaust.

“You don’t sit with the pope on specific files. You sit with the pope on the big issues, on the principles, on the headlines,” said Dayan, a former consul general of Israel in New York, who became the head of Yad Vashem last year.

Asked whether he had made any requests, Dayan replied:

“No need to make requests — for sure, not demands — when all our requests are answered diligently. We are completely satisfied with the attitudes of the pope personally and the Catholic Church, the Vatican.”

Not all Holocaust historians share Dayan’s satisfaction.
 Certainly not David Kerzer, a professor of Italian Studies at Brown University whose 2014 book on the pope’s ties to fascism won a Pulitzer Prize.

Kerzer last week published a new book, The Pope at War: The Secret History of Pius XII, Mussolini, and Hitler, based on archives opened in 2020 by the Vatican.

He hopes the pope will consider “changing the course of the Vatican with respect to the continual denial of the role of the church in the demonization of the Jews that helped to make the Holocaust possible. And also to perhaps reconsider whether they really want to make a saint of Pius VII.”

A 1998 commission set up by the Vatican concluded that the centuries during which the Catholic Church espoused anti-Jewish sentiments as official policy did not lead to the anti-Semitism that fueled the Holocaust.

The commission’s findings, which have been Vatican policy, is that the church’s theology-based “anti-Judaism” was essentially unconnected to the Nazi “anti-Semitism based on theories contrary to the constant teaching of the Church.”

Kerzer is among the many critics of this reading of history.

Those critics argue that the centuries of persecution of Jews led by the Catholic Church paved the way in some ways to the Nazi genocide.

“Forcing Jews to wear yellow badges and keeping them locked in ghettoes were not inventions of the Nazis in the twentieth century, but a policy that the popes had championed for hundreds of years,” Kerzer noted in a 2001 op-ed in The New York Times.

On June 9, Kerzer said the Vatican was worthy of praise for its decision to open the Vatican’s archives related to the wartime Pope Pius XII. However, he said, “there are limitations” on accessing other archives, including the Vatican’s Secretary of State archives and some archives connected to the Inquisition.

Still, Kerzer said he is “not in a position to say what Mr. Dayan should or should not have said during the meeting” with the pope.

At the meeting, Dayan, who, like the Pope, is a native born Argentine, presented Pope Francis with a replica of a colorful synagogue painting depicting the The Ten Commandments.

The original painting, created by I. Eisikowicz, was an adornment on a 20th-century Torah ark in Cernauti, Romania (now Chernivtsi, Ukraine).

It is all that remains from this once-thriving center of Jewish life before it was destroyed by the Nazis.

The drawing depicts the scene of the revelation of the Torah at Sinai according to scripture; the Tablets of the Covenant rest on the lush green Mount Sinai against a background of a starlit sky.

The Ten Commandments are written on the tablets at the base of flames of fire, topped by a crown adorned with a Star of David.

The plaque was kept in dilapidated and abandoned synagogues in Romania until Yad Vashem acquired it during an operation initiated in the 1990s to collect and rescue religious objects and relics remaining in Romania after the war.

It is one of dozens of religious artifacts on display in the Yad Vashem Synagogue.

TPS contributed to this story.




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